same thing as the song bricks in the wall dont be like everyone else how hollywood and church religion schools how they say to dress this way how they say to talk how they say to act thats what it means this song is trying to show people how everyone follows one another be your own leader dont be a follower be yourself. This song is about how people are forced to grow up as everyone else there telling you to do your own thing. consider this song to the same meaning as bricks in the wall by pink floydd its about society and parents. Its breathtaking symphonic reimagining on S&M shunts it a few spots further up this list.Lol This song has nothing to do with a mental hospital if you look at other metallica songs it isnt like country their lyrics have double meanings these songs are paradoxes they use a story to make another meaning its not a simple asa person in a hospital if i was metallica i wouldnt waste my time writing a song about mental patients they would write something that their listeners could relate 2 personally i have been in mental wards and rehabs and jail and can relate to this song both ways. Although the shapeshifting darkness of Until It Sleeps, the pained introspection of Bleeding Me, and the stadium-rattling heft of Fuel and The Memory Remains all deserve recognition, the colossal scale of The Outlaw Torn – stretching, like Monument Valley, towards the horizon – remains the era’s perennially-underrated highlight. Not to take anything more from the much-maligned Canadians, but such continued (mis)interpretations fail to grasp the rich Southern Gothic textures and far more emotionally reflexive songwriting of those records’ finest moments. So deep was the betrayal felt by metal traditionalists that recently, some 24 years after the fact, All That Remains frontman Phil Labonte was still making headlines with his (good-natured) observation that “almost any of the tracks from Load and Reload could go on a Nickelback record”. With all that in mind, proceed in the knowledge that we’ve not forgotten those thumping crowd-pleasers (Fuel, Wherever I May Roam), experimental epics (The Call Of Ktulu, …And Justice For All) and straight-up bangers (Fight Fire With Fire, Disposable Heroes, Of Wolf And Man, All Nightmare Long) absent from our list, but that these best of the best are just that little bit better…įive years after they changed the face of metal forever with the Black Album, Metallica cut their hair, began experimenting with their sound and aesthetic and alienated a whole generation of fans. Not so the Bay Area giants, who’ve easily produced double that number with the complexity, innovation and sheer power to be considered solid gold classics.īetween frontman James Hetfield, drummer Lars Ulrich, guitarist Kirk Hammett and their three bassists Rob Trujillo, Jason Newsted and the venerable Cliff Burton (not to forget past six-string contributor Dave Mustaine) they’ve produced 10 studio albums, numerous thrilling live albums, experimental releases that’ve varied from the wildly successful (1999’s orchestral masterpiece S&M) to the risible (2011’s admirable but ultimately misguided Lou Reed collaboration Lulu) and game-changing progressions that’ve shunted the whole scene forward. For most outfits, Top 20 lists like these largely pick themselves: a slew of hit singles rounded-out by deeper cuts and fan favourites that’ve shown their quality over time. Metallica are a band apart, in terms of importance, influence and the sheer quality scattered (lop-sidedly) through their catalogue.
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